"When we first met, I was a child, and she had been dead for centuries."
Winner: Non-fiction Book of the Year, Irish Book Awards
“genre-defying... captivatingly original“
- The Guardian (Best Books of the Year)
lyrical prose that dazzles readers from the get-go… sumptuous, almost symphonic,
in its intensity… As readers, we should be grateful for her boldness. Without
it, we would not have had one of the best books of this dreadful year.” – The
“Past versus present, blood versus milk,
birth versus death, the Irish language versus the English: dichotomies abound,
but the questions of women’s lived experiences and who history remembers link
them all.” - The
“This exquisitely crafted memoir is written in blood and milk, and its
publication marks an important event in the maturing of Irish literature… I
grieved when I closed this book, and found the only remedy was to turn back to
the first page, and begin this masterpiece over again.” – The
Sunday Business Post
“A book like
this comes along once every few years and obliterates every clear definition of
genre and form. I mean no exaggeration here: A Ghost in the Throat is astounding and utterly fresh… This is no tepid
and stuffy reimagining of an 18th-century life. It is borne of great personal
scholarship, without ever seeming polemical. This book has a long life ahead of
it, burning bright and inspiring many.” – The Irish
“A raw and haunting read that lingers long in the
mind.”- Irish Examiner
is something that sets A Ghost in the Throat apart, an otherworldliness or
strange and beautiful.” – The Irish Times
“does not disappoint. [A] remarkable book” - Literary Review
“a landmark in Irish writing... exhilarating... a sprawling interrogation of self and of womanhood that is unlike anything else.” - The Stinging Fly
"I arrive and fling my schoolbag aside, full of homework I haven’t started yet – page after empty page to be filled with irregular verbs of the future tense."
"Like [Eavan] Boland, Ní Ghríofa constructs a mysterious world for her readers from the matter of ordinary life. The poems of this collection impress upon us that magic and depth can be found in the minutiae of the everyday.” - Poetry Ireland Review
is a brilliant addition to the distinguished succession of bilingual poets
writing in Irish and English." - Eiléan Ní Chuilleanáin, Ireland Professor
“Ní Ghríofa enables the reader to recognize the attraction
of the syntax and sonorities of the Irish language. She makes the
language sing" - Clíona Ní Ríordáin, Université de la Sorbonne, Paris.
Rooney Prize for Irish Literature Hartnett Poetry Award Irish Times Poetry Award shortlist
"In my arms, you stir. A thousand streetlamps flicker to light in the dusk. As I watch your eyes open, the reek of roasting hops knits a blanket of scent around us."
"...long-considered obsessions are explored with tenderness and unflinching curiosity. [These] poems excel in their consideration of motherhood." - Poetry Magazine (Chicago)
"There is a fearlessness in Ní Ghríofa’s work: in the subjects she
turns her keen gaze on, but also in the very music she lets play in the lines.
A deep intelligence informs the strategies and approaches in the poems, and a
generosity of spirit and openheartedness are signal qualities." - Paula Meehan, Ireland Professor of Poetry
“Clasp is remarkable for its detailed
observational capacities of a concrete yet fraught quotidian life."
- Partisan Magazine, Canada
'... consult Doireann Ní Ghríofa’s Clasp (Dedalus Press)... to see just how exciting a refashioning of Irish
history can be in contemporary poetry." - Cordite Poetry